atlanticfilmgroup
atlanticfilmgroup
***** WE ARE NOT TAKING ANY FURTHER BOOKINGS *****
Financing Feature Film
3rd & 4th December 2009
Central London, £195 + VAT
Are you eligible for UP TO 80% OFF our course through a Skillset Screen Bursary?
Find details at http://www.skillset.org/funding/individuals/bursaries/article_6706_1.asp
Designed to give you a broad understanding of how feature films are funded, this intensive but informal course provides a vital insight into the world of financing independent films, from low/no budget to international co-productions.
Presented by producer and financier Alan Harris with guest speakers, the course provides an overview of the current film marketplace, accessing funding sources and the key factors essential to getting your first film funded and made.
filmfinanceworkshop
Secure your place now by making your online payment
now via Paypal, you can use credit or debit card.
or for Traditional Cheque Payments please
complete the online booking form, and send
with your cheque for GBP229.13 (GBP195 + VAT) to:
Atlantic Film Group
Screen House
123 Wardour Street
London
W1F 0UW
"Unlike most people who teach screen finance, Alan Harris has long experience of working at the coalface of film and TV funding. He can give you the tools you need to get your film funded and help you hit a rich seam of cash.”
Tim Adler, Screen Finance
Overview
Designed to give you a broad understanding of how feature films are funded, this intensive but informal course provides a vital insight into the world of financing independent films, from low/no budget to international co-productions.
Presented by producer and financier Alan Harris with guest speakers, the course provides an overview of the current film marketplace, accessing funding sources and the key factors essential to getting your first film funded and made. Course includes:
* Funding sources: - what’s available? How’s the credit crunch affecting financing? How to increase your film’s chances of getting money; public funding – how to access it; private investors
* Financing overview: demystifying financing and legal facts, figures and terminology; finance plans; recoupment schedules; packaging; rights; delivery
* Case studies of recent low and medium budget films
* International co-production: how to make it work
* Understanding sales, marketing and distribution: the vital role they play in getting your film funded
* Story development
* How to close the deal: key legal issues and working with lawyers
* Expert industry guests
* Handouts and Excel spreadsheet templates
What our previous participants have said:
"The most worthwhile financing course I've attended by far… and I've attended quite a few. Alan Harris was the ideal moderator." John Needham, Producer
"You come out of this course with two options. A total career change, or rise to the challenge!"
Brett Sullivan, Producer
"…Everyone should attend an event like this. Not only do you learn a great deal about the business of making a film, you also get to mingle with the very people who have the power to get you where you want to be. At the course I attended there were around 40 producers and fewer than 6 writers. Frankly, I like those odds."
Scriptwriter Magazine
About our courses:
Our working knowledge of film financing and co-production ensures that our course content is industry relevant, market aware, up to date and delivered in a way that is easy to understand and put into practice. Our industry speakers are all highly experienced, passionate, frank and inspirational.
Sample timetable
DAY ONE
Independent Film Finance - an overview
Underlying rights; film finance terminology and jargon; finance plans; recoupment schedules; legal issues; packaging
Sources of Production Finance
Regional, national and international funds; incentives and subsidies; broadcasters; distributors and sales agents; tax funds; private investors; financial institutions
How different types of finance alter the scale and structure of a film
How to Close the Deal
Legal issues of structuring and closing a film; completion bonders; the paperwork
Case studies
How the sources of production finance are woven together
Discussion of well-packaged films that have failed to close finance and lessons that can be learnt
DAY TWO
Structuring Co-Productions
The international marketplace: a look at different funding structures in key territories; the co-production treaties
Developing international partnerships
Financing and the Sales Agent
Sales agent‘s role; pre and post-sales; key terms; contracts, commissions and expenses
A leading distributor discusses the part the distributor plays in financing
Financing with banks
An explanation of the producer/bank relationship, including discounting of contracts; gap facilities; sales projections; minimum guarantees;
Case Study
A look at film finance plans that have worked and what can be learned